Sunday, May 30, 2010

Makeup Artist Portfolio Advice

Lee Pycroft is introducing us in this video to her very own Makeup Artist Portfolio as well as offering insights on presentation and thoughts to consider when choosing your images.

She has worked as a makeup artist in the beauty and entertainment industry for over 15 years and counts numerous high-profile celebrities among her clients. She has worked for titles from British Vogue, Glamour, Marie Clarie, Instyle, Tatler, Grazia and Vanity Fair formulating directional fashion looks and is regularly quoted in the media for her opinions on makeup techniques and styles. Celebrities, Sienna Miller, Diane Krugar, Elle MacPherson and Naomi Watts, and Jessica Biel are just some of the faces Lee has worked with creating Red Carpet looks and magazine shoots.


Some of the images from her portfolio:


After finishing my professional training in Fashion Photography Makeup I started testing (working free of charge) with an array of photographers in order to build my portfolio. Back then I wish I had had a makeup artist mentor to guide me on how to put my first portfolio book together.

Whilst most of my portfolio consists of published beauty and fashion editorials I have also included the occasional image from tests, where I have been able to experiment with makeup applications and added looks I felt I was missing in order to get more contracts.

Till this day I test with skilled and talented photographers, agency represented models and inspiring stylists in order to keep my portfolio fresh, on trend and creatively interesting and surprising. Having once overheard a very famous photographer say “the moment you stop testing you lose your true soul and creative depth as a photographer” I shall always make room for creative tests that will add value to my portfolio.

There are some standard sizes in the fashion industry for portfolios. Hair, Makeup and Fashion Stylists usually use 9”x12” or 11”x14” pages and photographers often use 11”x14” or 14”x17”. This requires special books designed for the industry and an extra cost to have photo labs print to these special size, so it's expensive.

My portfolio is a standard 11”x14” in black leather with my company name and website embossed in silver on the cover from House of Portfolios in New York (they ship to Dubai). The black sleeves of my portfolio are removable as I do replace them from time to time to keep them looking clean and professional without any scratches.

Images which I have received in digital form from Photographers and Editors I resize/crop using Photoshop to fit in my book in order to then have them printed at ProLab in Al Quoz.

Following are a couple of Do’s and Dont’s I have learnt over the years from fellow makeup artists or agencies I have dealt with.

DO’s

- Pick only your very best photos, if you think something is only so-so good don’t put it in your portfolio. You will be judged by your worst image.

- Place your very best image in the front and the second best image at the end (if possible), i.e. make a first and last strong impression.

- Have a surprise image every now and then to keep viewers alert and awake.

- Develop a good flow to your portfolio order (like a well told story).

- Images should fit the entire sleeve and be the same size, the only exception to this will be your tear sheets (your work carefully cut out of a magazine).

- If you have "editorial-stories" consider an even number of pictures (2, 4, 6 etc.), so that these pages can be shown facing each other to keep the flow.

- Two images facing each other should look good together ... consider color, lighting, subject matter and mood.

- Consider more than one portfolio ... I have one fashion/beauty/editorial portfolio and another that is commercial/lifestyle. I have both types of clients and they each like to see work that relates to what they are doing. Too many types of work in one portfolio, may put a client off. It's up to you to decide what works in your market. For instance, having a really high fashion/editorial portfolio might not get you any work with people who shoot Hotel or DIY shop advertisements, but if you have a strong portfolio showing that you can do their type of makeup then they would be more likely to consider you for work, eliminating the fear of you overdoing everything and not staying consistent with their image.

DONT’s

- Don’t split editorials apart trying to make it look as though you have had more editorials published than true. You are most likely showing your portfolio to skilled professionals, they can spot such cheats.

- Don’t pick an image that demonstrates your makeup great but is otherwise a poor photo, pick only images that are overall great, viewers will judge you on the image overall not only on your makeup. Most people cannot separate your good work from something negative about the image.

- Don’t leave empty pages, remove any extra empty sleeves

- Don’t put any images sideways, all images should face the viewer. Have horizontal shots blown up to fit across two pages like a magazine centerfold if the fold does not fall across a face, or have it printed vertically with a white or black border across the top and bottom.

Please feel free to add any portfolio advice in the “comments” section, I would love to hear your Do's and Dont's or any other advice you have.



Video and Photo Credit: www.my-management.co.uk

Saturday, May 22, 2010

Photographer Watch: Giuliano Bekor - BEBE Ad campaign - Video Behind The Scenes


I absolutely adored last year's summer safari themed BEBE campaign that could be seen all over Dubai.


The model Diana Moldovan was stunning, the clothes were great, the makeup and hair was spot-on trend, the creative was breathtaking beautiful finished off with amazing photography from Giuliano Bekor ... however, I was certain that loads of photoshop had gone into adding the magical animals into the scenery ... well, I have been proven soooo wrong and must apologize for my little faith.

Check it out, what a wild shoot in the animal kingdom!


And here are some more of the images taken that day by this incredible team. I hope you enjoy them!

Video credit: Giuliano Bekor http://www.giulianobekor.com/
Photo credit: www.nitrolicious.com

Friday, May 21, 2010

A photo in the Making ... No wind ... no problem!


Check this out for an awesome photoshoot example of calculated creative improvisation shot for a Korean advertisement client.
No wind ... Check
No dress ... Check
Lots of adhesive tape ... Check
Lots of Satin fabric ... Check
Lots of paper clips ... Check

Photo Credit: wish I could credit the photographer, but really dont know who took these, if they are yours let me know and I will add the credit.

Who's that girl? ... Aboriginal Model Samantha Harris

Aboriginal model Samantha Harris has created a major stir on the Australian Fashion Week runway. The stunning beauty, who transformed herself from a beauty pageant hopeful into a Vogue Australia covergirl, has emerged as the essential drawcard at Fashion Week, which kicked off in Sydney on Monday 3 May 2010.

At just 19, Samantha appeared for 18 designers including Lisa Ho, Camilla, Dion Lee, Rachel Gilbert and Alex Perry. That the fashion world is smitten with her was clear, with Australia's leading designers engaging the smoulderingly beautiful teenager, with her almond eyes and bee-stung lips, to open their shows. She proved herself a fast-rising star by landing a Vogue Australia cover, 17 years after the magazine last featured an Aboriginal model, Elaine George in 1993, in the coveted spot.


But she is no overnight success story. Samantha started modeling when she was 13 and had worked her way up before Vogue Editor-In-Chief Kristie Clements felt she had the maturity to be the face of the fashion bible’s June issue.

The glitz and glamour are far removed from the Queensland housing estate where Samantha grew up and the childhood beauty pageants where she wore outfits that her mother found in charity shops.

Apparently unfazed by the buzz surrounding her at Australian Fashion Week, where she was declared the topmodel, Samantha told local media she hoped to reach the pinnacle of the Fahion World. “I spent my childhood wondering why you had to have blonde hair and blue eyes to do well in modeling competitions, so I am proud that a girl with my looks might make it,” she said.



Thursday, May 20, 2010

"How To" Beyonce Inspired Updo - Video


Let Ford Models stylist Johnny Lavoy show you how to get Beyonce's inspired updo in less than 5 minutes.


Stylist Tip:

Put a little gel on a regular toothbrush and smooth over the flyaway and baby hairs to achieve a real slicked back look. The toothbrush is definitely a regular in every professional hair stylist kit, make it part of yours too.


Whilst I love what Johnny Lavoy created in this video, and yes, it really is that easy, I feel it works better for women with black African hair as the so called "crepe" hair used is similar in texture to their natural hair structure.
When I did this for a photoshoot last year, I was not happy with how "crimped" the braid looked. It did not resemble the structure of the European model's own hair, therefore next time I would probably opt to use a separate hair braid made of non-crepe material to wrap around as a finish.
In Dubai I buy my crepe hair from La Femme Beauty Salon in Jumeirah Beach Centre and my real and/or synthetic hair pieces from Karkafi on Al Mina road.


Video Credit: www.Fordmodels.tv

"How To" Old Hollywood Curls - Video


Let me introduce you to Johnny Lavoy an amazing Hair & Makeup Stylist with Ford Models in New York. His work can be seen in the pages of Vanity Fair, Vogue Italia, In Style, Glamour, Elle, Seventeen, Zink, OK Magazine and Entertainment Weekly among others. Hence, it comes as no surprise that he is one of the most sought after hair stylists in the Big Apple.
His fame is partly due to the popularity of Johnny's "how-to-videos" for www.fordmodels.tv featured on You Tube, where millions of viewers from all over the world follow him styling up the hotties of Ford Models.

I will be sharing a selection of my favorite "How-To" hair videos here over the next few weeks.

Video Credit: www.fordmodels.tv

Artist Watch: Latest Vogue Beauty - Lisa Eldridgde


Check out British Vogue's latest Beauty Editorial sporting beautiful matte pastels created by Makeup Artist Lisa Eldridge.

Lisa has become one of the most highly regarded make-up artists on the international beauty and fashion circuits today. With no less than 20 years of experience Lisa has kept a high editorial profile working with many of the world's top fashion photographers including David Sims, Corrine Day, Regan Cameron, Solve Sundsbo, Patrick Demarchelier, Paolo Roversi and Horst Dirkgerdes. Her well-honed skills have appeared on the pages of virtually every fashion magazine including British, Italian and Japanese Vogue, Allure, The Face, Numero, Pop and Another.


When asked about her latest British Vogue Beauty Editorial (May Issue 2010) she explains on her blog:

"the idea was to create the 'new pastel face' using this seasons latest chalky pastel products. Matte chalky pastels like these are quite tricky to get right and can be very difficult to pull off outside the studio. I wanted the feel to be as candy/pretty as possible whilst at the same time having a real strength and fashion focus. I feel these sorts of shades and textures look more modern when they are combined in a clashing colour way....warm sunny lemon juxtaposed against cool lilac.

I kept the texture of the skin very velvety matte for the blue/lemon/pink shot and then played around with a lot more shine and highlight in the lilac/lemon shot. Both gave a completely different frame and feel to the pastels."


Products used in the Vogue shoot:

EYES:

Illamasqua Creep eyeshadow (the lilac),

Mac Pro Canary yellow eyeshadow,

Nars Sugarbaby eyeshadow (the pale blue),

Korres pale blue eyeliner (not sure of name),

LIPS:

Mac 'Pink Vivid' paint stick mixed with kryolan white Supracolour for the pink lip

Bright orange and yellow Mac Pro Lipmix mixed up with kryolan white supracolor for the orange lip



Check out another stunning Beauty Editorial she did for Vogue earlier last year.



All photos: www.lisaeldridge.com